The vocalizer system conveys empathy for the opossum and his journey, meant to emit empathy from the audience for the solitary traveler in the dangerous autobahn of L.A. life. People who exist the bars would approach "as if somehow to help," but the fearsome nature of the wild prick keeps them back, (Levis, 1997, p. 1). Like many strangers would like to help but rarely intervene to help a stranger in L.A., so the speaker portrays the opossum. The poet also drills allusion to refer to the Trojan War and former(a) antiquities like the "fragments of ruins / In the grass at San Vitale," in prescribe to show that L.A. is a place with no real record or historical roots, (Levis 1997, p. 1). The author also uses these allusions to show that atomic number 53 is often rootless vivacious in the urban jungle of Los Angeles, often feared by others as others fear the opossum.
The poet also employs the use of figurative imagery other than personificatio
Levis, L. The oldest living thing in L.A. Elegy, 1997, p. 1.
In his final devil lines of the poem, the poet portrays the worker who comes to get the opossum as someone who is inert to it. As he tells us, "someone who hoped / The thing would have vanished by the time he got there," (Levis, 1997, p. 1).
The poet uses this impression to express the mood and noise of his work and to show the mood and tone of the speaker who more than likely is often treated indifferently by strangers, living in the crowded, indifferent urban world of Los Angeles. As such, the speaker is using this journey of the opossum who is feared, alone, faces danger ("a few steps forward, then back away"), and is treated indifferently to show the conditions of many individuals who live in urban Los Angeles without friends or family, (Levis, 1997, p. 1).
n and allusion. He also uses metaphors and similes to help convey the urban jungle as something from ancient culture, like the Middle Ages. For the fauna Control person who will have to be woke up to come and get the opossum will be dressed in "mailed gloves, the kind o
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