The Revolt in Algeria

Algeria was long dominated by foreign rulers, and the fight for freedom from this rule began in 1954 with an unionised revolt to obtain equal political rights for Algerian subjects. This was a battle under the direction of the National Liberation reckon (FLN), which would become the dominant force in Algerian ordering once victory was achieved. At that time, the Democratic and Popular res publica of Algeria was constitutionally mandated a single- caller state, with the FLN being that party (Nelson xxii).

The Battle of Algiers is a documentary-like retelling of the story of the revolution that began in 1954, and director Pontecorvo uses amateur performers to touch on the battles and other incidents of the rebellion. The violence of the confrontation is heightened in most ship canal by the use of amateurs and by the gritty photography, giving the fool away the aura of a documentary, as if the filmmakers were present at the unquestionable events instead of recreating them. The actors play armed guerrilla bands and French soldiers. citizenry are seen engaged in mass rioting. The intent of the native population is to cast out the French who have been sentiment the land as a colonial power for some time, and in a maven, the French are only the give out straw for the people after centuries of foreign domination.

The film evokes a tradition in Italian film, a tradition w

Bondanella, diaphysis, Italian Cinema from Neorealism to the Present. New York: Peter Ungar, 1983.

The rioters were primarily young people between 12 and 18 years of age, and what they wanted was the removal of the president and all FLN officials whom they matte had betrayed the egalitarian promises in the official doctrines of socialism. What the demonstrators wanted was egalitarianism earlier than democracy, and this is seen as the most important obsession in Algerian society. Cherlet notes that the president of the republic ironically started the process of political democratisation with the promulgation of the 1989 constitution, but the same actors were intended to monitor the process--the army, the presidency, and the politburo of the FLN party (Cherlet 9).

From independence in 1962 until the mid-1980s, Algerian politics was controlled by a sturdy tripartite alliance of army, state, and the FLN. The economy was based on petrochemicals, and the state was for some time able to produce exuberant jobs and services to satisfy a large proportion of the population. Then, in the 1980s, debt and falling oil prices reduced the amount of m matchlessy in government coffers. Civil society became increasingly restless. In October 1988, riots erupted that leveled one of the three pillars of the regime, the single-party system. In February 1989 there was a constitutional order that disperseed Algerian politics to other parties (Mortimer 575).

Nelson, Harold D., Algeria: A earth Study. Washington, D.C.: The American University, 1985.

Rome at the time was a just-opened city in that the Germans had just left, and the effects of the Nazi occupation were clear still felt and contributed to the metaphoric meanings attached to the film. Much of the sense of the title is ironic, in that Rome was not yet an open city at all in the time compile of the film, though that was the condition wished by the people and newly experience by the filmmakers, who had themselves prayed for
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