In Poetics, Aristotle also defines tragedy as ?the imitation of an action that is serious, has magnitude, and is ace in itself? and comprises of six qualities ? Plot, Character, Diction, Thought, Spectacle and Melody (20). But for the purpose of this paper, only if the characters of Macbeth, Hamlet, Lear and Othello will be examined in greater details.
The term sadalal molar, which has become synonymous with Shakespearean dramas, was developed forrader Hamlet, Macbeth or any of Shakespeare?s well-known plays were written. The literary term was discovered around 330 BC by the ancient Hellenic philosopher Aristotle. Through his theory of catharsis, Aristotle debated that the great plays of Sophocles, Euripides, and other Greek playwrights contained sad heroes similar to each other, which all portrayed four grassroots characteristics (Aristotle 21):1.Nobleness (of a noble birth) or wisdom (by virtue of birth).
2.Hamartia (translated as ?tragic flaw?, any(prenominal)what related to hubris, but denoting waste in behavior or mistakes).
3.A reversal of fortune (peripetia) brought near because of the hero?s own tragic error.
4.The discovery or recognition that the reversal was brought about as a dissolver of his own actions (anagnorisis).
It is not until the late 1500s that Shakespeare began to utilize Aristotle?s observations in the production of his many tragedies (Bratchell 5).
Although it was Aristotle who characterized the tragic hero, it was Shakespeare that made the tragic hero famous. Through his great many tragedies Shakespeare developed each tragic hero beauti bountifuly, making sure that each harbored a tragic flaw, were from the nobility, with identifiable human qualities, and faced their down fall with dignity. It is sturdy to believe such simple characteristics are the backbone for some of the most profound and complicated dramas the world has ever known.
Fundamentally, any tragic play must have a tragic hero. The tragic hero must...
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