Compare and Contrast the Presentation of Love in the Relationships Between Edgar and Catherine and Catherine and Heathcliff

The deuce most probative descents in Catherines life atomic number 18 with Edgar and Heathcliff however, they could non be more different. Her relationship with Heathcliff is star of raw, natural passion not social stamina, whereas her marriage to Edgar is one base on convention. Her ii crawl inrs come to represent the two tell asundered parts of her identity and it is the subjective struggle betwixt these conflicting impulses that mountain be said to lead to her death. As the novel opens, Mr Lockwood says that Heathcliff is a twilit gypsy in aspect in dress and discretion a gentleman He as well as observes that Heathcliff entrust love and hate equally. His explanation of casual violence lack of manners or con officeration for early(a) people which characterizes Heathcliff is only a hint of the atmo arena of the whole novel, in which that violence is contrasted with more genteel and civilized ways of living represent by the Lintons.When Nelly dean begins to nar rate the story of Heathcliffs past, she describes him with discrimination. When Heathcliff is first introduced, Mr Earnshaw says ut you must(prenominal) een take it as a gift of God, though its as blue-blooded almost as if it came from the devil. Bronti?? implies early on that Heathcliff has gifts from both God and the discommode (good and bad characteristics). Nelly Dean describes him as a dirty, ragged, black- sensory haired child large-mouthed enough to walk and talk she also constantly refers to Heathcliff as it- Mrs Earnshaw was build to fling it out of doors. Hes a Gypsy brat, Heathcliff is constantly referred to as if he werent human.Nelly duologue of how he repeated over and over again some gibber that nodead body could under defend this describes him as a wild animal/beast. Catherine and Hindley dont automatically get on with Heathcliff. Catherine showed her humour by grinning and spitting at the stupid little thing However later on Mrs Dean describes the fri ends to be precise thick. Heathcliffs origins are obscure he was found and Not a soul knew to whom he be hankered. Nelly says they had christened him Heathcliff.. nd it has served him ever since, both for Christian and surname this emphasizes the idea of how depression Heathcliffs class is because in the 18th century, the absence of a mortals surname undefended a lack of background. Hindley hates Heathcliff from the beginning and the writer comments on how he sees Heathcliff as a usurper of his parents affections This conveys how Heathcliff was favoured above the children. Bronti?? describes Heathcliff to be as uncomplaining as a lamb which persuades the reader to think he is innocent.It is also a biblical phrase as in the bible lambs were used to portray the innocence and purity of life. Hindley fiercely calls Heathcliff an imp of Satan in contrast to the received idea that he was innocent and corresponds to the idea that Heathcliff has gifts from both God and from the devi l. In the next chapter, Catherine and Heathcliff become highly close. She was much too fond of Heathcliff. The sterling(prenominal) punishment we could invent for her was to keep her separate from him says Nelly showing that the two were inseparable.When Catherines fuck off dies, Nelly Dean comments on how they both set up a nervus breaking cry this shows that Heathcliff is the only person Catherine can now shape to and that they only pass each other to get through with(predicate) with(predicate) the sorrow. In Chapter VI when Heathcliff describes Thrushcross Grange, he says it was beautiful, a splendid place carpeted with redden and crimson-covered chairs and tables and a pure white ceiling b riged by atomic number 79 This interpretation creates a heavenly image of splendour especially to Heathcliff who has never seen anything alike(p) it before.Bronti?? uses the drawing room window to stand for the saltation amidst the two classes since it divides the two sets of children. The window is the barrier motif shown throughout the novel. When Catherine is recognised into the preindication and Heathcliff is rejected, this is the end of their childhood innocence and the beginning of their awareness of the deviance of class and I would acquire been there too, but they had not the manners to ask me to tarry Earlier on in the novel, Mr Lockwoods describes Wuthering Heights the house and its furniture are described as plain and nothing wicked he floor was of smooth, white stone the chairs high-backed This contrast with the description of the Grange and perhaps Bronti?? uses this as a metaphor to describe the social scope of the inhabitants of both houses. The meeting of the two families begins the tug of war for Catherine between Edgar and Heathcliff. Heathcliff describes Catherine to be attracted to the Lintons and serious of stupid admiration for them suggesting that Catherines love for Edgar was built on admiration and for what he represent s quite a than his innate qualities.At the moment when Heathcliff and Catherines intimacy is on the verge of skin rash into love, social class intrudes into the novel and their affection. As Heathcliff says- I resumed my station as a spy because, if Catherine had wished to return, I intended shattering their great furnish panes to a million fragments, unless they let her out.. This conveys that his love for Catherine is protective and possessive. If the window through which Catherine and Heathcliff first view the Lintons is a metaphor for class division, then Heathcliff vows to knockout both the literal and metaphorical boundary between him and Catherine.When Catherine comes back, it is evident that her stay at the Lintons house was the beginning of the wilting of their relationship because although she is equable extremely fond of him, she has realized how very black and cross and how funny and grim he appeared, and she has also realized that he is so dirty Heathcliff did not stand to be laughed at and ran away. Catherine has begun to think like the Lintons, and thus begins a thaw in their love. Heathcliff was hard to discover at first- if he were careless and uncared for before Catherines absence, he had been ten times more so, since says Nelly, emphasizing the fact that Catherine had defended and protected Heathcliff in their home.Heathcliff was only cared for if she was there. When Catherine returns home her behaviour is acquired her attitude and appearance as a very dignified person show that she has moved into a different sphere that of the genteel Lintons. Heathcliff cannot follow her. He tries to follow her, Nelly make me decent and he wants to have the effect Edgar has on Catherine I wish I had light hair and fair skin, and was dressed and behaved as well, and had a chance of being as rich as he go forth beAlthough Cathy still cares for the things she did with him during their childhood, she is still under a lot of pressure to become a b ird and she is vain enough to en wallow the admiration and approval she receives from Edgar, Hindley and his wife. Just as the window separated the Wuthering heights children from the Lintons in the last chapter, a actual object separates Catherine from Heathcliff. The fine dress she wears is a very real boundary between the old friends it must be sacrificed (smudged and crumpled) if she is to embrace Heathcliff.The dress is also a metaphor for the fact that id Catherine is to associate with Heathcliff, the wildness of her character will be exposed. As Catherine is wants to enjoy both Edgars admiration and Heathcliffs love, this leads her to adopt a double character without exactly intending to deceive anyone Edgar represents the side of Catherine that satisfies her vanity and her vehement for social consequence Heathcliff represents her natural and real emotions. Catherine has to change in order to be loved by Edgar.During one of his visits, she shows her impulsive and impetuous side when she snatches the cloth from Nellys occur, and pinches her to the great shock of Edgar who only knows her as a very dignified person It seems as though Catherines love for Edgar is based on external considerations you love Mr Edgar because he is handsome and young and loves you says Nelly. Her love is based on his appearance, his wealth and how he feels towards her.Her love for Heathcliff however is internal in her centre she loves him not because hes handsome, but because he is more myself than I am. This suggests that Heathcliff represents the person who Catherine actually is whereas Edgar is who Catherine wants to be in terms of social aspirations and consequence. When Catherine tries to explain wherefore she feels she is wrong to marry Edgar, she says she feels it Here and Here striking one hand on her forehead and the other on her breast as she does so. This creates another metaphorical boundary, between the external and internal Catherines love for Edgar is ba sed on internal qualities but her love for Heathcliff is felt within her body.Cathys description of her love for Heathcliff shows the contrast between Lintons softness and Heathcliffs wildness Whatever our souls are made of, his and mine are the same and Lintons is as different as a bootleg beam from lightning or frost from fire. This is an interesting contrast as moonshine beam and frost are calm and beautiful images, however, they are completely opposite to lightning and fire which are both dangerous and wild things. gall, I never would have embossed a hand against himI never would have banished him from her society, as long as she desired his. Correspondingly, he imagines Catherines affection for Edgar in terms of retention He is scarcely a degree dearer to her than her dog, or her horse. It is not in him to be loved like me. Material wealth has always been associated with the Lintons, so Heathcliff extends ideas of property and ownership to their emotions as well. Heathcli ffs reunion with Catherine is presented as bittersweet though passionately glad to be re united, Catherine accuses Heathcliff of having killed her.Heathcliff warns her not to say such things when they will be branded in his memory and eating deeper eternally after her death. He also says that she had been at fault for abandoning him why did you betray you own heart Cathy? You deserve this This passionate scene between Catherine and Heathcliff in this chapter is probably the steamy climax of the novel though it only marks the middle of the book. It is as though they were subdivisions (who belong together) of a different species from other humans.Ellen says the two, to a tranquil spectator, made a strange and fearsome picture. Catherine tears Heathcliffs hair, and he leaves bruises on her arm. Later, he foamed like a mad dog, and gathered her to him with greedy jealousy. Ellen did not feel as though she were in the company of a member of her own species. What Ellen considers as bestial, the lovers would probably consider transcendent their love sets them apart from others but in what way is open to interpretation.When Catherine dies, Bronti?? creates a contrast between the ways the two men react to her death. Edgar Linton had his head laid on a pillow and his eyes shut this shows that he is mourning taciturnly and calmly but, Heathcliff dashed his head against the knotted trunk, and lifting up his eyes howled not like a man but like a raving mad beast getting goaded to death with knives and spears This harsh diction portrays Heathcliffs pain, excruciate and anger at Catherines death. Bronti?? uses this language to show that Catherine was Heathcliffs other half without her (his beloved), half of his soul was missing.The comparison between Edgars peaceful mourning and Heathcliffs declaration of love again refers to the difference of their emotions and their contrasting records. The question of what happens after death is Copernican in this chapter an d throughout the novel though no firm manage is given. Ellen is convinced that Catherine went to heaven, where life is boundless in its duration, and love in its sympathy, joy in its fullness. Heathcliff however, cannot conceive of Catherine finding peace whilst they are still separated, or of his living without her.In the chapter before, Catherine said Im wearying to escape into that glorious existence and to be always there not seeing it dimly through tears and yearning for it through the walls of an aching heart, but really with it and in it. It is as though she had in mind a heaven that was like the moors in all(prenominal)way but with the spirits of natural freedom. Eighteen years after her death, Heathcliffs continued love for Catherines dead body paradoxically emphasizes the physical, yet non-physical nature of their relationship.This all-consuming love is revealed when he explains how he tried to dig up her body on the day she was buried. Heathcliff is pleased to see th at Catherine still looks like herself after eighteen years but claims that if she had been dissolved into earth or words, he would have still been happy. His idea of heaven is to be completely united with Catherine in body, as well as in spirit and this could reasonable as well mean to disintegrate into dust together as to be joined in the act of love.In the final two chapters, we are given an extraordinary window into Heathcliffs mind in the chapter. Whenever he looks at something, he sees Catherine in it he hears her voice in every sound. This is Bronti??s idea of true haunting, which seems to resemble madness rather than scary noises in the dark. If the ghost of Catherine is at work, she has found her home in Heathcliffs mind and her commerce is distorting his perception and his ability to communicate with the outside world.The presentation of love in the relationships between Catherine and Edgar and Catherine and Heathcliff are clearly profoundly contrasting. Heathcliff repres ents passion and nature, whereas Edgar represents culture. These two characteristics symbolize the duality in Cathys own personality and it is her struggle between the two conflicting impulses that eventually consumes her. However, when Heathcliff and Edgar die and are both buried alongside Catherine, we can see how Bronti?? portrays that the two men will always have a place in her heart.