Hip Hop Music Culture Essay -- Rap, music and cultural movement

This audition aims to examine the importance of the pat culture in 21st snow society. It will begin with consideration of the history of pat, discussing its stylistic adaptations, cultural preferences and concerns, referring to the studies of dimmed culture by Ellis Cashto a greater extent and Mark Neal. Within this I will look the ethnicity and authenticity of the culture, with reference to last years Popular melody and its ethnical Context unit. The essay will then move on to survey the cultures relationship with the media, concentrating on the well documented honorable panics associated with the culture I will make particular reference to the theories of Stan Cohen. By studying the political and historical patterns of the culture, I endeavour to discover the boilersuit meaning which the culture has for its members and for society.It is primarily important to coin what knock is, the lexicon definition describes Hip-Hop aship-hop (h p h p ) or hip hopnoun. 1. A popula r urban youth culture, closely associated with rap music and with the style and fashions of African-American inner-city residents. 2. Rap music. As a culture Hip-Hop includes four main categories of expression Mixing, Dancing, graffiti Art and Rapping, known as MCing. Hip-Hop was first recognize in New York around the mid 1970s, considered as a reception to social movements of the time. In America the 70s and 80s were subject to negative behaviour towards down(p) communities which consisted of Jamaican and Puerto Ricans as well as African-Americans, it was argued that the ruling of Reagan led to this behaviour. Hip-Hop culture was seen as an escape from the explosion of gang violence end-to-end the 1970s and 80s, providing black American youths with a space for expression, this freedom of delivery led to the spreading of Hip-Hop to other cities where black communities suffered. As Tricia go up states, It satisfies poor young black peoples profound guide to have their te rritories acknowledged, recognised and celebrated. (Rose, 1994 p.11, cited in Neal, 1997 p.136) The first UK top ten Hip-Hop hit was recorded in 1979 by the Sugar Hill Gang, called Rappers amuse. The recognition of this song noted the continuous exchange of musical ideas amid black and white. The atmosphere created between black and white musicians from Britain and America was correct for the sounds o... ...the Hip-Hop culture will hap. The policing of artists and their music are likely to acquire stricter, with parental advisory placed on increasingly offensive lyrics and with the push in crime rates associated with Hip-Hop policing will be more specific. However, I do not believe that increased awareness and policing of Hip-Hop will lead to the waning of its popularity, if anything I think it will continue to add to the novelty of the culture.BibliographyBaker, H. & Diawara, M. & Lindeborg, R. (1996) Black British Cultural Studies A Reader, University mechanical press Chic agoCashmore, E. (1997) The Black Culture Industry, London RoutledgeCohen, P. & Baines, H. (1982) Multi-Racist Britain, London MacmillanCohen, S. (1973) Folk Devils and honourable Panics, St Albans PaladinDyson, M. (1996) Between God and Gangsta Rap, University Press OxfordNeal, M. (1999) Black Popular symphony and Black Public Culture What the Music Said, London RoutledgeOliver, P. (1990) Black Music in Britain, University Press Milton KeynesSpringhall, J. (1998) Youth, Popular Culture and honourable Panics, London MacmillanThompson, K. (1998) Moral Panics, London Routledge