The title of a book potty often perch the central idea of the book. In The Catcher in the rye whiskey whisky the meaning of the title becomes clear when Holdens sister asks him what he wants to be, and he says that all he wants to be is the catcher in the rye from a popular childrens song. In this role he envisions himself as the l angiotensin-converting enzyme guardian watching a group of children acting on a cliff; he alone domiciliate save them from plummeting into the abyss (Salinger 173). At this point it becomes apparent to the endorser that the title The Catcher in the Rye reveals Holdens desire to cling to the innocent, a desire which can be seen in his relationships with his family, children, Jane Gallagher, and early(a) complete strangers and even in his observations of inhuman things.
Holdens desire to treasure the innocent is seen throughout the book in his relationships with members of his family. In fact, one of the very first indications that Holden treasures innocence above all can be found in the first chapter of the novel when he calls his brother D.B. a prostitute for going out to Hollywood to write scripts rather than continuing to write short stories (Salinger 2). D.B. gave up pure art in a simple form, paper short stories, in order to conform to a domain Holden sees as phoney and corrupt.
Holden cannot forgive his brother for destroying the innocence of his art. Holdens relationship with his other brother, Allie, also demonstrates his desire to protect and preserve the innocent. Allie is abruptly at the beginning of the novel, and, as such, he represents an unchanging innocence, a saint ideal to Holden (Baumbach 68). Throughout the novel the reader is reminded of Holdens fond regard to this dead saint ideal...
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