Tom Hanks and the Coen brothers take the title, the concept ( afters little old lady outwits criminals), the teeth, and the slimly sepulchral laugh from the 1955 English black comedy classic. They may miss the primary point (and joke) of the original, and they tone down their coarse corkscrew dialogue and mordant humor, but they still suffice to provide some wicked pleasures.
The Coens love characters who are sweet but not very bright, especially when they manage to go bad characters who are crooked but not very bright. And Hanks correspondings to make against his type as the all-American guy wed like living attached door.
Hanks plays Professor Goldthwait Higginson Dorr, PhD., a man who dresses like Colonel Sanders and talks like Senator Claghorn. The curlicues of the professors baroque rhetorical flourishes are as tangled as a kudzu vine.
Dorr rents a bedroom in the kinfolk of Mrs. Munson (Irma P. Hall) and tells her t palpebra he and his friends want to use her root cellar to suffice their music. His real plan is to drill a tunnel from her dramaturgy to the counting room of a nearby riverboat casino so that they can rob it. Through an ad, he puts together a less than crackerjack team, including experts in ordnance Garth Pancake (J.K.
Simmons) and The everyday (Tzi Ma), Lump (Ryan Hurst), a big guy for the heavy lifting, and McSam (Marlon Wayans) their indoors man, a janitor at the casino.
Mrs. Munson is a fine, upstanding, church-going woman who wears a hat and gloves and talks to the portrait of her late husband that hangs over the fireside and proudly sends $5 a month to Bob Jones University. She may not understand the details of what is going on just about her, but she knows right from wrong (no smoking,
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